Bunt mas i inne pisma socjologiczne. Front Cover. José Ortega y Gasset. Państwowe Wydawnictwo Naukowe, – pages. Title, Bunt mas. Author, José Ortega y Gasset. Translated by, Piotr Niklewicz. Publisher, Muza, ISBN, , Length, pages. Title, Bunt mas. Author, José Ortega y Gasset. Publisher, Muza, ISBN, , Length, pages. Export Citation, BiBTeX.

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On this issue, Gadamer remains more cautious, encouraging us only to respond to the appeal, addressed to everyone, to participate in the world of art.

José Ortega y Gasset

The role of not only the modern audience, but also the entire set of critics and aestheticians, is to respond creatively to the challenges art poses us. Both thinkers observed and analysed the same phenomena in the arts, but their interpretations of the new art ultimately proved different. The viewer, for his part, had changed his attitude to contemporary art because it had departed radically from the artistic canons of the past.

May Learn how and when to remove this template message. To accomplish such tasks, the philosopher must—as Husserl proposed—leave behind prejudices and previously existing beliefs, and investigate the essential reality of the universe.

As an eyewitness to the changes in art which took place ortegw the beginning of the twentieth century, Ortega y Gasset was sure that art, on the threshold of that century, had been launched on a road from which there would be no turning back. Index Outline Category Portal.


History ortegz liberalism Contributions to liberal theory. History of Western Philosophy. What is more, aesthetics is not a separate field of knowledge, but is incorporated in the sphere of hermeneutics.

Bunt MAS – Jose Ortega Y Gasset

This flight was a departure from the traditional imitation of reality, in order to create new forms that, as Ortega y Gasset would say, were as dissimilar as possible to the fragments of human reality: Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App.

Ortega y Gasset, Bunt mas [The revolt of the masses], in: Therefore, the Spanish philosopher proposes a system wherein the basic or “radical” reality is “my life” the first yowhich consists of “I” the second yo and “my circumstance” kas circunstancia.

Stanford Encyclopedia of Philosophy. It should be noted, however, that Ortega y Ortegaa did not depreciate the art of previous centuries. Gadamer, Hans-Georg, Prawda i metoda. Similarly, the true experience of art means taking a work as modern and up to date, and its truth as present.

Art as play, symbol, festival], K.

Metaphor and the concept of taboo are closely linked: The Ortega hypothesisbased on a quote in The Revolt of the Massesstates that average or mediocre scientists contribute substantially to the advancement of science.

Ortega y Gasset seems to occupy the opposite pole; orteva him, art is frivolous, ironic game lacking a metaphysical dimension.

José Ortega y Gasset – Wikipedia

The History of a ConceptWilliam B. Works of art connect people with one another and bind them in ma common dialogue. He suggests that there is no ‘me’ without things, and things are nothing without me: This slogan was one of the manifestations of the crisis of twentieth-century European culture proclaimed by Ortega y Gasset.


The third element of the definition proposed by Gadamer, festival, encompasses and expresses all of the above- mentioned elements of the experience of art. Sign in to use this feature. It is thus connected with the disappearance of the obviousness of communication and of methods for the orteag of truth in works of art.

New American Library, p. Every experience of this art is alienating in the sense that while in contact with it, the viewer is left to his own devices.

Bunt mas: : Jose Ortega y Gasset: Books

Art invites us, in his view, to join an intellectual game of exploring dehumanised forms, beneath the surface of which there is no longer any room for the truth about the real world. Haddox – – Southwestern Journal of Philosophy 2 3: Part of a series on. See our Returns Policy. It also indicates the specific temporality of the experience of art: An extremely difficult task lay before the artist: Metaphysics of vital reason [1].